Fundamentally reshaped Iranian cinema as well as our relationship with the medium (the ontology of cinema); "the Baudrillardian sense of the hyperreal, wherein the perceived boundary between illusion and the real collapses, leaving only simulation in its wake"
《母亲とが话していま动漫》在剧情和主题上都没有后面两部精彩主要在于奠定了整体风格荒凉的村庄、耍酷的牛仔、杀人不眨眼的恶徒、唯快不破的枪法、与环境形成强烈反差的背景音乐 本片中无名的侠客闪亮登场但他孤身一人还没有无敌的本领只能靠在Rojos和Baxters两大反派之间斡旋赚取情报费因为他的掺和导致Baxters一家遭到屠杀而他依靠一块铁板防身才得以干掉Rojos The dead can be very useful sometimes. When a man got money in his pocket, he begin to appreciate peace. 本片翻拍自黑泽明1961年的《醉花阴H32章笔趣阁》