这种短剧模式我很喜欢 这个剧传达的主题也很棒很有教育意义不管是男孩子还是女孩子都要勇敢起来敏感一点也没关系 剧里的人物都成长了从忍耐逐渐变为敢于发声性骚扰一直是个很艰难的话题在中国尤其困难欧美最猛黑人XXXⅩ猛男希望男孩女孩们都能看看这部剧#me too #with you 女权从来都不是女性优越主义我们一直要争的是平权仍任重道远 女主很可爱长得有点像妻子的诱惑的女主角→_→ 女二人设真的太好了有这样一个朋友很幸运
真是不敢想象上世纪七十年代就有这样的作品故事、音乐、化妆欧美最猛黑人XXXⅩ猛男只能用“另类”“前卫”“先锋”等词来形容了渐入佳境回味无穷And crawling on the planet's face,Some insects called the human race.Lost in time and lost in space and the meaning.
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In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.