violet上船回莱登的时候我还在想“离开少佐让她成为了一个更加完美的传递爱的使者”结果下一秒就打我脸了最后那段泣不成声的、无法开口的哭戏初觉讶异但随即感到相当真实violet as a doll的故事已经结束但我想她希望传递的情感已经铭刻在观众心中psssss把少佐刻画得有些过于矫情做作了吧妻子的世界国语完整版免费完全没想到啊(哪怕violet的故事本来就是这种基调)
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.