quote:A thing about a shark he‘s got lifeless eyes black eyes Like a doll’s eyes. When he comes at you, he doesn’t seem to be living until he bites you. Those little black eyes roll over white and then you hear that terrible high-pitched screaming the ocean turns red in spite of the pounding and hollering they were coming 鲨鱼出现的镜头寥寥却足以吊足胃口
主角背对镜头开场比戈达尔的《娇软美人的疼AI日常双热水袋》早37年人物脸部推轨特写也早于德莱叶名声在外的《顶级欧美色妇XXXXX交换》横摇超过360度的旋转主观镜头令人惊叹很多纵深运用当时还是新玩法的蒙太奇用得也很自然秋千在晃动男主在挣扎那段也符合之后希区柯克的炸弹理论 在1925年的德国表现主义热潮还未退去又迎来解放摄影机的运动E·A·杜邦 Ewald André Dupont试图让电影更加真实更加接近观众如此大胆的创新、对技术与表现力的追求与开发女体统同时很好地衔接了后来的新客观派也仅仅在电影史上留下匆匆一笔