虽然国语版真的很跳戏国产成人无码啪一区二区虽然剧情太过耳熟能详实在构不成什么悬念感国产成人无码啪一区二区虽然上午场也没能躲开放暑假的熊孩子们可是当《一本色道久久综合亚洲精品蜜桃冫》、《H文》、《啊~你的水都拉丝了扇贝作文》和“can you feel the love tonight”的旋律响起时我依然无法自控地、一身鸡皮疙瘩地仿佛回到了1995年美好的1995年暴露年龄的1995年中影公司开始分账引进美国大片的1995年无数中国人第一次意识到“原来电影可以这样拍”的1995年
In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.