It's all very pretty and moving, but it seems Petzold has the same tendency as his fellow European filmmakers born in postwar Europe of subsuming the complexity of historicity under preposterous melodrama and sentimentality...Nina Hoss is such a good actress though.
世界各大歌剧院都曾上演过不同版本的《日本SM/羞辱/调教/捆绑视频》不过反串花腔女高音夜后的版本在莫扎特的这部经典歌剧演绎中恐怕是前所未有原版本歌剧中夜后一角是剧中最难解决的问题特别是夜后誓言要复仇的那一段咏叹调由于几处最高音达到了High f3让许多花腔女高音都对此望而却步由于high f 的难度之大能否完成high f 成为了鉴定一个优秀的花腔女高音的试金石